当郎朗坐在你面前和你聊练琴方法,他说了八个重点!
当郎朗坐在你面前和你聊练琴方法,他说了八个重点!
郎朗受国外YouTube频道France Musique的邀请,以面对镜头的方式向大家传授练琴秘诀。他怎么自述的呢?视频如下: 学习钢琴的最佳年龄是从2岁到100岁 I think the ideal age from learning piano is from 2 to 100 一开始 每天练习一个小时就足够了 20分钟用于基础练习 20分钟用于弹奏简单曲目 另外的20分钟去随性演奏(弹自己喜欢的曲子) 学习弹钢琴最难的部分在于 左右手的协调分工 因为这样才能锻炼我们的大脑 左右手协调后 弹琴就容易了 当然还需要大量的练习 双人奏和室内音乐是了解其他乐器的关键 你要和演唱者配合 让歌曲更动听 你要与弦乐器演奏者配合 还要与木管乐器 铜管乐器 打击乐器 吉他配合 这样演奏出的音乐才能够气势恢宏 音乐并不仅仅只是弹奏几个音符 而是对已经存在了200多年的音符 进行创造或再创造 你可以把你的情感 你的真诚融入到音乐中 让你的音乐充满色彩 充满情感 富含情感的变化 人物的变化 品味的变化 我认为 对于任何一个钢琴家来说 都需要永怀对音乐的激情 对音乐的热爱 如果没有了激情 一切也就无从谈起 这就是成功的要决 对于我而言 音乐是栩栩如生的 就如一个多媒体显示屏一样 涉及方方面面 我们在表演的时候 不仅要想着音乐 还要考虑与音乐相关的因素 如何让音乐讲诉背后的故事 如何与主旋律相结合 然后我们脑海中油然产生一幅画 一幅用音乐描绘的情感之画 这样你才能感受到一首曲子的最高潮 你要想尽一切办法将一首曲子演奏到极致 要做到这一点 你就要做到纵观全局 面面俱到 音乐教育应平衡 还应非常专业 所有的技能都应受到良好的培训 同时 我们中的任何一个人都应该成为一名艺术家 有了艺术熏陶 我们就有更多机会结识不同的人 与人交流 学到更多的知识 我认为这是学习艺术的另一种方法 此外再进行专业技能的训练 这样两个世界就融合到了一起 而音乐教育就应该是这样
In the very beginning, I think one hour will be actually good
and then you put like 20 minutes to the basic training,
20 minutes to play some small pieces
and then another 20 minutes try to improvise something on a piano
The most difficult aspect for learning piano is
that you need to be separated between the right hands
and the left hands because you know, this is how you train both brain.
After that it should be easier, a lot of practice of course
Duet and chamber music is the key to learn other instruments,
so you have to work with singers to make piano more like a singing
and then to work with the string players.
Then work with the woodwind, the brass, percussion, guitar,
and then the music becomes much bigger
So it's not enough just typing the note,
it's more like what you are you going to create
or recreate after those notes already existed more than 200 years old,
some of the pieces and to bring your love
and sincereness into the music making
and to make music very lively with colors, with emotions,
with a different mood, with different characters, with different tastes
I think we always need to, for any pianist; we need to keep our passion
and the flame for loving music always there
and if your passion is gone then unfortunately
then everything is gone.
So that is the engine of success
For me, I think music is very visual
It needs to be thinking through like a multimedia screen
when we are performing
not only just looking at the music,
but also to think about what's the surrounding
and make some story behind the theme and how to get connect
to the main melodies, main voices from the piece
and then also to draw a kind of a picture, the emotion picture of the piece.
So you'll find where the top is.
You need to give everything the climax of the piece
and so in way you had you have to be very multifunctional
Music education needs to be balanced, very academic,
which everything needs to be very properly trained
In the same time, every one of us should be an artist
and the artistic training is more working with different people,
talking to people and playing different objects
and learning different subjects
and I think that's another way of learning arts
and then you train professionally technique.
So that's the two worlds are merged
and that's how music education should be